TORMENT is not having enough wall space to display all the cool art and vintage posters in your collection, and friends, I am a tormented soul. I’ve got enough ninja movie posters to wallpaper my place twice over, more than half of which are in storage. So, I can’t even let myself make eye contact with amazingness like this:
Scott Campell‘s “Ninjas All Over the Place” (this link goes to a blog post from the artist with multiple close-ups) was done for the superb Gallery Nucleus, specifically their 2007 ninja art show. This piece shows both a knowledge of the film genre (some Magic Serpent-y critters in there) and classic Japanese art.
The original sold for $2800, but 42×12″prints can be had for $150 here. (prices posted as a not-so-subtle hint to any potential readers out there looking for a christmas gift for someone like… ME!)
Do a search of the word “ninja” in the Nucleus home page header, and you’ll get a page with tons of available originals and prints. I like this Khang Le print, a very affordable 13×19″ version of which is for sale here.
Campell is a great artist, and a search through his blog will prove it. Nucleus did the ninja show in 2005 and 2007, here’s hoping for another.
Sepia-tone 2-sided flyer for the Ryutaro Otomo ninja vehicle Maboroshi Kurozukin Yamine Toku-Kage (can’t confirm that title or translate, although the words for black hood, phantom, and shadow are in there…) from Singapore – possibly late 60’s?
Enjoy some whacked-out ‘Chingrish’ below:
That image above looks a lot like the live-action Iga no Kagemaru film, or perhaps just an identical costume?
I haven’t seen this film, but I’m dying to know who the “Bat Swordsman” is, if he uses bats in combat, and what the scorpion relation is…
Here’s a Japanese poster for the same. Check out that tsuba-less sword on the left! You gotta have sack to weild a weapon like that, as you pretty much eliminate a lot of kendo’s defenses from an opposing sword.
Okamoto Kihachi‘s (Sword of Doom, Kiru!) 1963 ninja classic Sengoku Yaro is a real blast – a superb mix of comedy and combat, peppered with some rather outré fight scenes, a jazzy score by Masaru Sato that keeps you on your toes, and a super cute sword girl to boot.
These aging Thai press kit photos were contemporary with the film’s 1963 release. It’s a superbly shot B&W film, the colors here are actually hand tinted for display in theater lobbies. That moray pattern is from the acid fixer breaking down after half a century. These are in rough shape – never deigned for posterity, and nowhere near as collectible as their poster counterparts, thus rarely archived as well.
Who’s cooler than the film’s lead Yuzo Kayama? No-one, because not only was he in some kick-ass chambara and ninja flicks, he was also a great guitarist. That’s him below, on stage in Japan with the Ventures!
If you like films like Kiru! and 3 Outlaw Samurai, where the violence is tempered with sardonic humor, then Warring Clans is your ninja huckelberry. It’s got a great ‘who’s working who?’ dynamic familiar to the spaghetti westerns, and the fights are shot superbly.
The battles in Clans are largely either on barren cliffsides or tall grassy plains infested with black-suited snakes ready to strike. The plot revolves around a caravan transporting rifles under siege from without and possibly within. At times, it’s a sort of buddy pic, with three bickering protagonists, all who claim to be the next leader of Japan, but who are actually bums… or are they?
I’m tortured the press materials I scored didn’t include a shot of the astounding Kumi Mizuno, who has a small role. I mention her solely because I want an excuse to run this off-topic shot from my favorite mutation of the kaiju genre Matango:
There isn’t an angle I can’t recommend this movie on: The cinematography is top notch, and the fight scene editing is an absolute clinic in how to make non-martial artists look good in duels. It’s got some great ninja beats, too, although pretty much anyone in a black suit comes to a foul end. The flow of grave subject matter and at times gory violence with comedic performances in both small and main roles is masterfully executed. And if nothing else,you just cannot take your eyes off Yuriko Hoshi. She almost steals the movie…
I was lucky enough to see the combat-intensive short film KAGE on the big screen at a film festival last year, but screenings in the U.S. were few and far between. You can however, watch it online at their bi-lingual website: kage-japan.com.
KAGE‘s fat-free 23-minute running time delivers nothing but the goods – cool costumes, hot ninja chicks and stiff-as-hell fight scenes. It wears influences from a few different eras of shinobi-cinema proudly on it’s sleeve, too.
Producer, director and star Takeshi Maya is 80’s-era Henry Sanada reborn, right down to the twin short swords, trampoline spots and high spin kicks. He’s damn proud that there was no wire-work in the film, no digital fight-fakery either. This film is his fight reel and stunt reumé bared for the world to see.
Check out the genre pedigree within the rest of the cast: Villain “Retsu” is played by none other than Shane Kosugi, and Sho Kosugi’s production company is thanked in the credits. Kenji Ooba and Junichi Haruta of Sony Chiba’s Japan Action Club have small roles as shinobi elders, too.
That’s smoking hot Airi Yoshihama in the middle of the pack of ninja villains. Man is that some sauce! She’ll be familiar to fans of Japanese obstacle course game show “Sasuke” (aka Ninja Warrior on G4), as she’s the “G-Rockets” dancer/acrobat who’s a regular on the women’s competitions. She does a great spinning cartwheel bit in a respectable fight scene with the rather adorable female lead Chisa Yokoyama, who is otherwise a major anime voice over actress. They’re both cute-as-hell, in great costumes with short-swords-a-slashin’…
Alas, the web-hosted viewing experience doesn’t do the film justice. It was great on the big screen, you could really see how hard everyone was working. But shorts never seem to have a good home when it comes to home video release, so let’s hope this sees some sort of broadcast-quality download in some form in the future. I’d gladly pay a ten-spot to own this thing as an HD file.
I absolutely adore the Japanese equivalent of our “cigarette cards” – menko. These collectible cards featured all sorts of popular media, celebrity actors and athletes, historical and nature subjects, etc. I scored a pile of these in 2006 and 2007, many of which feature photos and illustrations of hooded swordsman and ninja.
Menko have been big since the 1910’s, when photographic reproduction wasn’t exactly great, especially on a cheap mass-produced premium.
One really strange thing you run across with vintage Menko is off-model illustrations. Hard to tell if it was a pirating issue or not, but companies often used their own in-house artists to portray hit animated and manga properties, rather than license the actual artwork from the source. You get some really goofy variants…
Koike and Kojima’s astounding Path of the Assassin has ended with volume 15, released last month from Dark Horse Comics. To say the abrupt ending is unsatisfying would be an understatement, have to wonder if this was cancelled in Japan prematurely back in the day. Doesn’t seem like a deliberate, or strategic, ending from either an editorial or emotional point-of-view.
I’m really going to miss this series, but one advantage to a series of graphic novels with a terminus is people tend to put their used collections up on eBay and Craigslist, so it’s a great opportunity to score it as a complete set if you don’t already own it all.
It never really breached the Times Square grindhouse and werewolf circuits here in the States, but the Hong Kong / Japanese co-production Ninja in the Dragon Den was certainly an international hit.
Here’s some totally original painted artwork from the Mexican release. Most international ad campaigns for the film centered on either of the two matinee idols involved – Henry Sanada and Conan Lee, and where their names didn’t mean as much, it was photos of Sanada’s superb ninja costuming that carried the ads.
But in Mexico, they often opted for totally original art.