MONSTER VS. NINJA MONTH: Toad magic of the silent era in JIRAIYA

This 1921 silent movie might just be the first time the legend of Jiraiya was put on film. It could also well-be the first time giant toad and snake magic with special effects transformations appeared on screen, four decades before heroic ninja and tokusatsu monster action were all the rage.

If the tale of toad-powered Jiraiya and snake-powered Orochimaru seems familiar its because it’s been adapted and re-imagined over and over, from the technicolor era to Naruto today.

There’s even a sidekick employing SLUG MAGIC! Not sure how menacing a big ass slug actually is, (that’s him in the middle, below) but there you are…

Silent films in any country are beyond rare, with most lost to the ravages of time, but throw in the war and it’s a miracle any of these flicks still exist. The ritualized combat choreography and simple but ground-breaking effects work here have real charm. Glad this not only survived, but is on YouTube!

Want to credit Ninja Attack co-author Matt Alt for turning me onto this video. Read his article on toads in Japanese popular media here. A new edition of his book is due in July.

Share on Facebook
Post on Twitter

Tags: ,

Posted in Film and TV October 25, 2013 at 2:00 am.

Add a comment

JIRAIYA THE BRAVE: Ninja and toad magic in the roaring 20s

This 1921 silent movie might just be the first time the legend of Jiraiya was put on film. It could also well-be the first time giant toad and snake magic with special effects transformations appeared on screen, four decades before heroic ninja and tokusatsu monster action were all the rage.

If the tale of toad-powered Jiraiya and snake-powered Orochimaru seems familiar its because it’s been adapted and re-imagined over and over, from the technicolor era to Naruto today.

There’s even a sidekick employing SLUG MAGIC! Not sure how menacing a big ass slug actually is, (that’s him in the middle, below) but there you are…

Silent films in any country are beyond rare, with most lost to the ravages of time, but throw in the war and it’s a miracle any of these flicks still exist. The ritualized combat choreography and simple but ground-breaking effects work here have real charm. Glad this not only survived, but is on YouTube!

Want to credit Ninja Attack co-author Matt Alt for turning me onto this video. Read his article on toads in Japanese popular media here. A new edition of his book is due in July.

Share on Facebook
Post on Twitter

Tags: , ,

Posted in Film and TV May 9, 2012 at 10:21 pm.

2 comments

JIRAIYA vinyls

Picked there up in an anime/manga shop in NYC back int he early 90s, had no idea what they were from or who they were, but I guess I recognized coolness when I saw it. 15+ years later I finally see some old World Ninja War Jiraiya episodes and eureka…

See the great costumes in the companion photo book we featured here and here.

The evil ninja shapeshifter Benikiba. I owned this androgynously sculpted figure for all those years and never realized it was a female character until I finally saw the TV show.

 

 

 

Share on Facebook
Post on Twitter

Tags: ,

Posted in Toys and Statues September 27, 2011 at 1:20 am.

Add a comment

On sale at FUJI ARTS

Don’t own an antique Japanese print of a ninja (or ninja-like) wizard doing TOAD MAGIC? Well, end the shame and embarrassment of it right now over at Japanese art acutioneers Fuji Arts!

I’d love to a be a heavy hitter and score some of these expensive relics, but financial fate has had other plans for me alas, so I was just poking through just the Clearance section of their online offerings. Lo-and-behold I found all sorts of warrior action and monster reptile mayhem! The clearance selection has ‘buy-it-now’ prices, too, with a lot of stuff under $100.

Look at that TOAD MOUNTAIN from this print of the Jiraiya lore!!! I’m ready to move in there and make it VN Headquarters.

Share on Facebook
Post on Twitter

Tags: ,

Posted in Art and Advertising March 24, 2011 at 8:37 pm.

Add a comment

‘Ninja-To’ visual shorthand in American vs. Japanese films

One thing you hear over and over from the anti-’Ninja-To’-sword-haters-club is the blade is “pure Hollywood.” Before this recent spat of research and over-scrutinizing swords in old movies, I used to argue against that notion; the Japanese studios got ninja ‘wrong’ decades before we did, right? And the blade was sold mail order well before our ninja boom, so Hollywood sure didn’t invent the sword. It wasn’t even used in The Octagon (1980) or Enter the Ninja (1981).

BUT, what can be said is “pure Hollywood” is the narrow strictness of the visual shorthand for ninja. From 1982′s Revenge of the Ninja onward, the regulation ‘Ninja-To’ was absolutely chiseled into the vocabulary of ninja in American film and TV. The sword was so well branded here, Kosugi or Dudikoff using a curved blade would have been seen as a blasphemous prop master’s error.

The Japanese were, as with manga, much less narrow in their use of screen props, however their use of a sword for a shinobi character carried additional editorial significance. Whereas American films were typically ninja vs. mobsters, drug lords, night shift security guards and sometimes other ninja, Japanese movies typically featured ninja vs. samurai.

Samurai use long, ornate blades that make statements of their social rank and wealth. A ninja’s cruder, less decorated blade is an indication of lower social rank. It says his sword is not his soul, but a tool to get a job done. At the same time, the shorter blade when used against full-length katana in the hands of an armored warrior says volumes about the ninja’s skill and courage.

So let’s take a look at some different swords in the hands of shinobi. We’ll start with the most historically credible ninja films ever made – the Shinobi-no-mono series.

But hey! Is that a straight blade???

I’ve had a few people refer me to this photo in opposition to statements I’ve made about the lack of short, straight blades in Japanese ninja films. And yeah, that is Raizo Ichikawa holding an apparently straight blade made by a studio prop master under the guidance of tech advisors like Takamatsu Toshitsugu and Masaaki Hatsumi.

But look again:

Hmmm. Why was the poster image altered to reflect a more traditional sword? Or was the publicity photo above retouched? And was it altered by Daiei back in the 60s or by Animeigo for their recent DVD packaging?

[UPDATE: Or as VN reader Kent Wood points out, is the above image just a scan from a book that is bending at the spine, thus distorting the page? I think he's right! I think I'm missing the forest for the trees...]

Point I’m making here is even with the Bujinkan tech advisors on board, the blades are inconsistent between the Shinobi-no-Mono films, and they sometimes change from shot to shot. So don’t go putting too much importance behind any single still.

Above, two publicity shots with two different props. Rather than an editorial statement, this is more likely just the difference between what is called a “hero prop” – in this case a character’s signature sword, which they only might have produced a few copies of – and a more disposable prop used as a ‘stunt double’ if you will, for quick-cut fight scenes where the piece is more likely to be damaged.

Raizo’s “hero props” changed from film to film as well – note the different tsuba below. Sheath length also varied, but the blade was always short (signature Hatsumi!).

And not all Daiei ninja used such swords. Battle scenes involving multiple extras and stuntmen as Iga clansmen revert to plain katana and wakizashi. Budget saving measure, or where they embracing the notion that blades would differ from man to man, mission to mission?

Now, I’ll pose a question to everyone who’s seen these films.

I think there’s actually an ever so slight CURVE to this blade. What do you all think?

Hard to tell. I’d kill to see this prop, if it still exists. If there is a curve, it is so minor, changing perspective straightens it right out.

And here’s another question - why the hell hasn’t someone replicated this awesome baby and sold me ten of them? WHY?!?!?

Meanwhile on the small screen, Onmitsu Kenshin (aka The Samurai in Australia) was absolutely bursting with ninja during its 60s-long run. Prop swords varied from season to season, with a limited TV budgets always the deciding factor in style.

Note Tonbei the Mist‘s wakizashi with oversized round tsuba, in comparison to the standard swords of the hero Shintaro. The good Iga ninja always used these, while the evil ninja clan-of-the-season would have various plain swords. There was, however, a recurring sword used for the several seasons’ boss villains – an absolutely monstrous ‘horse cutter’ (I think?) with a handle as long as its blade. I love this freaky thing!

The 60s weren’t all gritty, B&W, espionage-based, hard ninjutsu, though. There were as many swashbuckling adventurers and colorful plucky heroes as tormented shadow dwellers. Plenty of heroes who were of otherwise samurai status as well, so they used their same trusty blades when on night missions.

Ninja with samurai swords or samurai in ninja garb? Counter-clockwise from top NINJA HICHO FUKURO NO SHIRO (Castle of Owls), AKAI KEGEBOSHI (The Red Shadow), KAZE NO BUSHI (Warrior of the Wind)

However, the 70′s was a decade where ninja on the big screen were less likely to be the hero, and more likely to be fodder butchered by a surly sword-swinging ronin. The financial and scheduling realities of movie and TV production usually trumped any desired fealty to martial tradition or obscure history, so these disposable ninja carried off-the-rack, bulk produced props that didn’t require exclusive tooling or smithing. There were a lot of wakizashi blades with katana handles, and shorter curved swords with square guards, like this:

That’s one of dozens of ninja mowed down in the Lone Wolf and Cub films, and the above style sword was standard issue in 70s and 80s films.

Here’s a better look at what Japanese filmmakers considered the ‘Ninja-To’ pretty much at the same time as we were buying the straight versions made famous by Hayes and Kosugi:

Shogun’s Ninja (Ninja Bugeicho: Momochi Sandayu – 1981) features two competing forces of ninja, both using the same medium length curved blades with plain handles and square guards.

*As a side note, is there a film with a wider pendulum swing of great costuming (above) and laughable bullshit (below)? These hunter cammo suits give me douche chills.*

The same year, Enter the Ninja began Sho Kosugi‘s assault on America. Mike Stone‘s weaponry was custom, not mail order, and the swords were closer to the Japanese studio model.

But in 1983, the smoking chest was opened, and there it was!

From Revenge of the Ninja on, Kosugi was in charge of choreography and props, and never strayed from the short, straight blade with long handle and square guard – used by ALL ninja – heroes, villains, rival clans, students, masters… everyone.

He even made his own in Pray for Death (1985), a scene that drove Tim and I nuts because the sword he supposedly forged real quick during his power-up montage ends up a fully decorated blade with ornate hammon line, right out of the prop bin.

*And that dumb-ass helmet ranks with the cammo gear above!*

When the Cannon Films ninja mantle was passed to Michael Dudikoff, so too was the now requisite ‘Ninja-To,’ seen throughout the five American Ninja films that closed out the 80s craze.

And at the same time in Japan? Masaaki Hatsumi was a big part of the kids’ show World Ninja War Jiraiya (Sekai Ninja Sen Jiraiya – 1988), which featured a variety of outre ninja-based characters with just as wide a variety of swords.

Curved swords…

Coming next: A look at Kosugi’s officially licensed swords, and some props from our own collection here.

Share on Facebook
Post on Twitter

Tags: , , , , , , , , ,

Posted in Film and TV and History and Martial Arts March 8, 2011 at 6:50 am.

2 comments

JIRAIYA photo book (part 2 of 2)

World-Wide Ninja War Jiraiya may have been centered on a single hero, but it was the wide range of supporting characters, global guest stars and villains-of-the-week that were the show’s strength.

Masaaki Hatsumi and his fictional kin operate out of the real Togakure Bujinkan. Note the silhouette from the firey credit sequence, where some distinctive ninjutsu kicks are thrown.

Inspired by the notion of the Olympics, ninja from every corner of the globe got involved in the war, including Yanks and Brits.

Awesome as the main villain's costume was, his troops... maybe not so much. Chuunin Benikiba, the villainess at center, is stuck in one of the most unflattering female costumes in TV history. I've had a vinyl figure of her for decades and never knew it was supposed to be female until recently.

The 'karasutengu' crow ninja are a great idea, but the goofy eyes KILL the whole design. They look like spokes characters from some fast food chain. Recurring baddie Hoshinin Retsuga looks like he bought his ninja gear at Chess King!

OK, so after three days of Jiraiya, what do y’all think? I know folks who LOVE this show’s dizzying array of characters and Japan Action Club-esque action. Others just can’t stand how 80′s it is, and yeah, it is definitely a product of its time.

To me, it seems like the thing just came a few years too late. By 88-89 the craze was waning world-wide. The same show in 84-85 might have been a bigger sensation, including here.

If for nothing else, comb the greyer markets for eps of this oddity just to see the integration of genuine ninjutsu with over the top superhero antics. I mean Hatsumi in a kids’ show, who knew?

Share on Facebook
Post on Twitter

Tags: , ,

Posted in Film and TV July 2, 2010 at 8:21 am.

1 comment

JIRAIYA photo book (part 1 of 2)

A noble ninja family battles an ancient demon and his evil hordes, with international ninja from around the globe thrown into the mix. Gimmicked vehicles, soaring stunt work and plenty of explosions in rock quarries are on tap. It’s World-Wide Ninja War Jiraiya, as seen in a 1988 photo book:

MESH was used in most all of the costuming to connect the modern superhero costumes to feudal-era costuming.

Female costuming here is oddly weak. The hero's younger sister has the best gear by far.

Tomorrow, some of the weirdest ‘shockers’ ever and some reeeealy 80′s costumes.

Share on Facebook
Post on Twitter

Tags: , ,

Posted in Film and TV July 1, 2010 at 8:16 am.

1 comment

World-Wide Ninja Olympics?

If you’re a big enough toy geek, the 1988 Japanese tokusatsu series Worldwide Ninja War Jiraiya (Sekai ninja sen Jiraiya) will look somewhat familiar. The action-packed “Metal Hero” show was never exported to the States, but some of the toys were — the absolutely awful line of floppy rubber figures in hard plastic armor known as “Tacky Stretchoid Warriors.”

While these gummy figures positively sucked, the source series is a pretty damned good example of 80′s superhero television, packed with tons of colorful characters, high-flying stuntwork, explosive action, and some historically significant cast members.

Takumi Tsutsui stars as the young hero Jiraiya, as shinobi as he is Red Ranger.

Modern Iga grandmaster Tetsuzan Yamaji was, appropriately, played by ninjutsu legend Masaaki Hatsumi! The godfather of modern ninjutsu, Hatsumi was also tech advisor on the SHINOBI-NO-MONO films, showing the range of media projects he influenced with genuine shadow arts.

Arch-villain Oninin Dokusai is one of the best deigned TV villains ever.

Jiraiya’s plot unfolded over 50 episodes; a ninja family entrusted for centuries to guard the secret of an alien treasure races against an ancient demon to unlock its considerable powers. Complicating matters is a colorful cast of international ninja with mixed allegiances — a superb plot device said to be inspired by the Seoul Olympics.

In-dojo training sequences with Togakure-Ryu grandmaster Hatsumi and appearances by several of his ninjutsu students give this show a unique quality. Mixed in with the genre-requisite explosions and decorated vehicles are some genuine martial arts. This kids’ show may have been the most Hatsumi and the Togakure were involved in a media property since their genre-defining technical advisory role in the Shinobi-no-Mono films.

Starting tomorrow, we’ll have a pile of pages from a nice photo book of the series, showing both some timeless tokusatsu designs and some hopelessly 80′s fashions.

Meanwhile, there’s a nice show gallery at the French-language Space Sheriff blog and a brief write-up on the American toys at the PrimeTime Toystore.

Share on Facebook
Post on Twitter

Tags: , ,

Posted in Film and TV June 29, 2010 at 11:15 pm.

Add a comment